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<プログラム> 能装束の着附 (能における女性の姿) 説明 金子敬一郎 通訳 マーク大島 着附ける人 狩野了一 井上真也 着附けられる人 佐々木多門 仕 舞 「船弁慶」塩津哲生(しおつ あきお) 粟谷充雄 粟谷浩之 内田成信 大島輝久 能「清経」作:世阿弥(1363-1443) 出演者シテ(清経の霊) 友枝雄人 シテ連(清経の妻) 塩津圭介 ワキ(粟津三郎) 大日方寛 笛 槻宅 聡 小鼓 森澤勇司 大鼓 柿原弘和 後見 塩津哲生 粟谷充雄 地謡 佐藤寛泰 粟谷浩之 大島輝久 金子敬一郎 佐々木多門 狩野了一 井上真也 内田成信 |
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Very nice. We would like to see more traditional Japanese theater, including Kabuki, Bunraku and so on. I enjoyed very much the Noh Performance organized by Meguro UNESCO Association. The subject of Noh performance is universally relevant since it touches the issues of life and death of life. I thought that the commentaries & demonstration of the costumes before the performance were very helpful. I especially liked the 2nd performance with the full costume & masks. The drum beating and wailing sound of the two musicians were effective in creating a scary mood.・・・ All in all, it was a good introduction to Noh. I can now tell how different Kabuki and Noh are. | |||
撮影:芸術文化活動委員会、望月 昇氏 |
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